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Self Portrait
El Greco (probably combination
of the Castilian and the Venetian language for "The Greek",[?]
b. 1541 in Crete, Republic of Venice d. April 7, 1614
in Toledo, Spain) was a prominent painter, sculptor and architect
of the Spanish Renaissance. El Greco never forgot that he
was of Greek descent and usually signed his paintings in Greek
letters with his full name, Doménicos Theotocópoulos
thereby underscoring his origins. He was born in Crete (in
the village Fodele or in Candia (now Heraklion), the largest
city in the island), but decided to go to Venice to study.
In 1577 he emigrated to Toledo, Spain, where he lived and
worked until the end of his life.
El Greco is the best known Greek-born painter in the world.
His highly individual dramatic and expressionistic style met
with the puzzlement of his contemporaries but gained newfound
appreciation in the 20th century. He is best known for tortuously
elongated figures and often fantastic or phantasmagorical
pigmentation; traits of an art which for certain intellectuals
provides an ideal combination of the Eastern tradition of
Byzantium and Western civilization. According to the evidence
of his time, Doménicos Greco acquired his name, not
only because of his place of origin, but also through his
sublime art: "Out of the great esteem he was held in
he was called the Greek (il Greco)."
One of the preeminent Goya scholars, Tomlinson expands her expertise
to provide an exceptionally readable and stimulating survey
of a period that has traditionally been neglected within art
history. Besides her clear, informative prose, the book's outstanding
production values make it truly user-friendly.
El Greco (Masters of Art) by Leo Bronstein
Hardcover: 126 pages Publisher: Harry N Abrams (December 1990)
Text: Italian, English
El Greco: The Burial of Count Orgaz by F. Calvo Serraller,
Francisco Calvo Serraller, Greco Hardcover, 143 pages
(May 1995) Thames & Hudson
Filmed on location in Toledo and Venice, El Greco re-creates
not only the artist's career, but also the pressures and emotions
of the Counter-Reformation, which inspired his work. It shows
the locales familiar to the artist and traces his beginnings
as a Byzantine icon painter in Crete. El Greco's art expresses
both the religion of his times and a private spiritual quest,
explored here in masterpieces housed in great churches and museums
from Madrid to New York.
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